(The term "Egyptian" has since become associated with slab-serif typefaces.) The name "Egyptian" may originate from the image of sans-serifs being historical in style, the Egyptomania of the period and the "blocky" nature of ancient Egyptian architecture. The name "Egyptian" had become commonly used in England by 1816 to describe this style of lettering for example on Septemthe painter Joseph Farington wrote in his diary of seeing a memorial engraved "in what is called Egyptian Characters". However, it was some decades before a printing typeface would be released in this style, now commonly used. Historian James Mosley, the leading expert on early sans-serifs, has suggested in his book The Nymph and The Grot that Soane's influence was crucial in spreading the idea of sans-serif letterforms around the end of the eighteenth century.
CASLON EGYPTIAN FONT PROFESSIONAL
Just buy and use Simonson’s gorgeous and professional Proxima Nova family, or if you want it to be more historical (mostly, besides the capital letter G) get the Caslons Egyptian family from Font Bureau.Sans-serif lettering in block capitals had been developing in popularity over the past decades, initially due to interest in classical antiquity in which inscriptions often had minimal or no serifs, and come to be used by architect John Soane and copied by others, particularly in signpainting. (All of the black glyphs are available in the Soane Old Roman Bold OTF file.) Conclusion And please let me know about it!įor a comparison, including the lovely and quite popular Proxima Nova by Mark Simonson, see this table below: If you make any changes or make something interesting from this, you must make the changes available under the same license, and call it something different. I made an experimental typeface (all uppercase, very few glyphs) that I created from Jonathan Martin’s reference scan, which combines Caslon Egyptian (capitals in this file) and Soane Old Roman / New Roman (lowercase in this file.) 2021 Soane Old Roman revival by Jared Updike If we fill in the gaps of Old Roman with Caslon Egyptian, we have a complete sans-serif uppercase alphabet older than the US Constitution.
So now we have an even older typeface from the dawn of sans-serif types. From these thirteen letters (plus two, if you take C from G and P from R) we can create the better part of an alphabet. James Mosley published a scan of a type sample from a sketch dated 1779 for a proposed “DESIGN FOR A BRITISH” museum by architect John Soane.
CASLON EGYPTIAN FONT DOWNLOAD
His typeface is not publicly available for download or purchase, although if you contact him privately he may take your money. This is where I got the high-resolution scan of the sample from the two-century-old type specimen book. Jonathan Martin’s article on Behance: Two Lines English Egyptian Digital Revival.Some resources about this typeface, the earliest commercially available sans-serif typeface. Caslon Egyptian, 1816 or Two-Lines English Egyptian The second is even earlier and more obscure, which I am calling Soane Old Roman, based on a tiny sample sketch by John Soane which was discovered in the twenty-first century and discussed by James Mosley and the late Justin Howes. The first is somewhat obscure, but still more widely known: Caslon Egyptian or Two-Lines English. This blog post describes two of the earliest documented English (Latin alphabet or Roman) sans-serif type designs.
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